First consider the ugly truth about zombies, at least the kind that have appeared in popular culture since1968's Night of the Living Dead. Zombies form an undeniable symbolic stand in for the twin racialized fears that have helped fuel our punitive culture of control producing both mass incarceration and mass deportation.
One is fear of violent crime and riots, which were reaching one peak in 1968, and were mostly linked in the popular imaginary to African Americans (Director and co-writer George Romero may have subverted this by casting a black male as the heroic protagonist of the movie). While the riots mostly subsided, sustained high homicide rates in inner-city neighborhoods during the 1970s and 1980, shaped an image of violent youth who did not respond to normal human incentives, some criminologists called them "super-predators" because zombie would have been to self parodying. The crack epidemic further crystalized this association with its imagery of stick like figures shambling toward anyone who could feed their craving.
The second image channeled by the contemporary zombie is that of the "illegal" or "undocumented" immigrant. Starting in the late 1970s and early 1980s, fears of economic decline and national weakness fused with images of "out of control" illegal immigration. This has always had an undeniably racial cast, associated with migration from the South, Cuba, Mexico, Central and Southern America.
The zombie films from the 1ate 1960s through the 1980s played on and sometimes subverted the fears of suburban middle class Americans that their security and life style was under assault by predatory others whose claim on our humanity was both troubling and potentially treacherous. Raced without race, the undead took on the otherness that dared no longer be precisely named.
Therein the good news. The zombie genre is changing in directions that both suggest and support a shift away from the punitive culture of control. The fact that so much of the genre is now satire suggests and audience prepared to laugh its fears, with a sense of greater mastery. Even in its latest scary forms, like World War Z the zombie has morphed from drug deranged criminal or rioter to virus carrier. While this new medical model of the undead may not lead to a cure, it suggests, as those who have seen the movie know (no spoiler here), different ways of coping with them.
Indeed the author of the novel World War Z has also written The Zombie Survival Guide which offers in its own way a scathing critique of the culture of control suggesting among other thing that:
- Schools will make excellent positions from which to defend against a zombie attack because of their high level of anti-crime oriented security design and tall fencing.
- Prisons, at least once the prison officers and prisoners have made common cause against the undead, are perhaps the best possible defensive location given their high fences (zombies can't climb) and we can thank mass incarceration for preparing a large number of such formidable redoubts.
- SUV's only look formidable, but will turn into a zombie restaurant once they get stuck or run out of fuel, you are much better off on a bicycle or a motor cycle.
- Apartments are much better for security than private homes (especially single story ones) which are inevitably penetrable and have fewer escape options or ready to hand neighbors to defend with.